This review was originally posted on Goodreads.com and reviews.wheelerc.org on Jan. 17, 2015.

A fast-paced novel, Clans of the Alphane Moon has a little of everything: a meditation on the civil rights of the mentally ill and the freedom of free will and free agency; the trials of marriage and divorce; the insanity of a paranoid security apparatus.

Far from being the failure or claptrap Barry Malzberg calls it (sci-fe being a lesser genre in his not-so-humble opinion) in at least one edition (Bluejay Special Edition) of the book.

Worth the read.

On Goodreads

This review was originally posted on Goodreads.com and reviews.wheelerc.org on March 17, 2015.

The sequel (in a planned series) to The Long Earth is a disjointed, unbelievable and internal-morality questionable series of vignettes, too many characters and, worst of all, no actual plot.

Please, don’t get me wrong. I love Terry Pratchett’s books, to a fault, and I feel sacrilegious writing this review after his early death.

The Long War is, however, an un-plotted bore that breaks the suspension of disbelief and has an uneven moral grounding.

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This review was originally posted on Goodreads.com and reviews.wheelerc.org on Dec. 6, 2014.

Women’s Work is another entry into the post-apocalyptic genre, a surprisingly well written first novel for the author, Kari Aguila. It is an ideal novel, but, nothing much ever happens to make the idea worthy than more than a short story.

The problem with Aguila’s book is not what might be expected from her premise: following a world war and an effort of semi-global oppression of women by men, women take control of the non-functional central government. More importantly, the previously oppressed women take the reins of their local governments and become the oppressors under the guise of security in the face of roaming bands of evil, rapist men.

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This review was originally posted on Goodreads.com and reviews.wheelerc.org on Sept. 5, 2014.

Project Pope, while enjoyable, plods all the way to its final moments, which plods itself.

Robots are looking for the gods, or God, and have a computer to do the searching. A couple of humans bumble in, have some adventures, there’s some intrigue. Unfortunately, a good portion of the book is padding. Entertaining padding, but padding nevertheless.

On Goodreads

This review was originally posted on Goodreads.com and reviews.wheelerc.org on April 4, 2014.

“Three Trips in Time and Space” is three novellas of wildly disparate quality by three different sci-fi stalwarts, commissioned on the idea of instantaneous, economical travel.

Robert Silverberg commissions the three novellas, stories, from three different authors. He sends them the book’s foreword.

(Them are: Larry Niven with ‘Flash Crowd, John Brunner with ‘You’ll Take the High Road’ and Jack Vance with ‘Rumfuddle.’)

The Premise and the Challenge:
The jist of Silverberg’s foreword, his challenge to the authors is instantaneous, economical travel. His words:

“Suppose it were possible, technologically and economically, to transport oneself to any point on the earth’s surface in virtually instantaneous travel? What sort of society would develop where Arabia is an eye blink away from Brooklyn, where one can step from Calcutta to the Grand Canyon between two heartbeats? Let the author, if he can, visualize for us how such a transport system might work – but let him concern himself, primarily, with the effects it would have on the texture on quality of human life. (emphasis added)

There one has it. Instantaneous, economical travel.

The Quick Run Down
1. The first novella, ‘Flash Crowd’ by Larry Niven sets a very good tone. While it lacks in a denouement, it certainly hustles the plot along for most of the story. From a technology standpoint, both it and Brunner’s novella share a conceit of a form of teleportation.
2. The second novella, ‘You’ll Take the High Road’ by John Brunner neither hustles along nor is standable, most notable with its whiney narrator/main character.
3. The third novella, and the strongest by far, is ‘Rumfuddle’ by Jack Vance. Although it’s confusing for the first few pages, it quickly hits its stride and the strong-headed narrator is evened out by a strong plot, strong pacing, a great twist and a great technological concept that propels it far beyond the environs and implications of its two brother novellas.

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